Nature Show
We got a nature show at the office today...
Unfortunately we have been left with am empty carcass, a head, a gizzard, a loop of intestine, and a pool of blood and feathers that we have no way to knock down.
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We got a nature show at the office today...
Unfortunately we have been left with am empty carcass, a head, a gizzard, a loop of intestine, and a pool of blood and feathers that we have no way to knock down.
My closest friends know a side of me that few people see -- a dark and obsessive curiosity about death.
The concept of nonexistence both baffles and terrifies me and not a day goes by that I don't wonder about it. A burning want to understand the instant at which "to be" becomes "not to be," restrained by sheer terror that leads me to do all I can to not experience it firsthand.
This obsessive mindset compels me to Google the victim's name each and every time I read an article about someone meeting an untimely death. I feel a need to find out who they were, what they accomplished, and how they came to an end. Most importantly: I want to see that there is something on record, somewhere, telling the world that this person once existed and did something.
All of this dark aspect of my psyche I can, with near certainty, trace to a vague childhood memory that has been stuck in my head for years. I remember sitting next to my dad in a movie theater, to his left. On the screen before me, two animated mechanical mice -- father and son -- were being beaten to death by a large rock. The screen showed the attack from the perspective of the mice, with the rock smashing down and filling the entire screen with its blackness.
I remember feeling sick to my stomach and being very upset. I remember other children in the theater crying. I remember asking my dad if that was what it was like to die.
For decades this image has been stuck in my head, I have been completely unable to shake it. Every time my mind conjours it up the feelings of nausea and fear return.
I spent much of my adult life wondering what movie this was that I had seen. The closest I ever came to finding an answer was speculation that it might have been an obscure scene from The Rescuers, perhaps edited out for today's audiences. But last week I finally discovered the real source of my memory.
Ladies and gentlemen, I present to you in its entirety, the 1977 animated feature The Mouse And His Child:
The movie is an adaptation of a novel of the same name by Russell Hoban. The novel is a dark, philosophical allegory peppered with frequent, sudden deaths of many characters. Though about toy mice it was never intended to be a children's book, but in the United States that's exactly how it wwas marketed. Thus, when adapted for the screen, this dark philosophical allegory was also promoted to what was most likely too young of an audience:

The movie version of the story follows the adventures of a pair of wind-up toy mice who come into existence in a toy shop and wonder who they are and what the world is. After being damaged in a mishap they wind up in the dump, where they are taken captive by a group of wicked rats who enslave discarded toys. The mice escape and go on a quest to understand the world, find a family, and become self-winding so they do not have to rely on others.
As I watched the movie the other day, all of the images that had been "forgotten" for the past 30 years re-entered my conscious memory. Such as the fall of the mice. Such as the brutal dismemberment death of a donkey. Such as the sudden death by eaten of a rat that we had become somewhat endeared with. Such as the beating of a squirrel. Such as the eating of several minor characters. Such as the infinitely-regressing dog food label. Such as the uprising against the rats on the railroad tracks. And, of course, such as the beating to death of the film's heros. (Then there's that psychadelic final scene!)
The movie is a living contradiction. The animation style is simultaneously awkward and beautiful, with dialogue that alternates between childlike innocence and complex philosophical musings. The musical score is both as memorable and appropriate as it also seems suited for a 1970s TV show. Overall it seems aimed directly at small children, but its messages are more suited for adults.
In researching this movie online I found that I was not alone. A great many people around my age have shared similar stories of being plagued by a faint memory of one of the film's disturbing scenes and a great sense of relief to finally find the movie their memories had come from.
If you have the time (it's about 77 minutes) I do recommend watching the YouTube video. The film truly is a remarkable work of art, it was simply exhibited to the wrong audience.
For most of my life I had a vague memory fluttering in my head. A witch, serving pancakes in a breakfast restaurant, that when you eat them make you happy. The spell was shown by a freeze frame as colorful dots splashed across the screen.
In my teens, no one I ever mentioned this to had any idea what I was talking about. I began to think it was maybe just something I had dreamed. But in my early adult years, I found one person who shared the same vague memory. He used the term "happy dots" to describe the spell, so I coined the name "Happy Pancake Witch" to describe this shared memory.
On October 1, 1991, I made my first attempt to use the Internet to find the answer. But there were not enough people my age online yet, and no answer was found.
Over the next couple of years I found one or two more people with a similar memory who were able to give me a little more detail. I searched the Internet Movie Database (which at the time did not have a Web site as those did not exist yet -- in the early days you uses shell scripts at the command line, then later you emailed in queries using a special syntax and eventually after it processed you'd get an email back with the results) with the new clues and still came up with nothing.
On June 17, 1994 I made another online plea, this time with a little more success. I got a few more details, but still no answer.
In early 1995 I created a web site called The Happy Pancake Witch that listed a compilation of all the clues I had received and asked people to email me if they had more information. Results began coming in and as more elements of the plot came together, I noticed that everyone I found with this shared memory was born between 1966 and 1972. And, finally, I got the clue that would solve the mystery. Someone thought that the title might contain the word "winter".
I telneted in to the Library of Congress server (no web site back then) and queried for all publications containing the word "winter" in the title that had the word "witch" mentioned in the synopsis. Before long I had a potential candidate, a 1969 short film titled "Winter of the Witch."
I telneted into the Kansas City Public Library server (again no web site yet) and did a search for this title. Not only did I find that they had a VHS copy avaialbe, it was located at the branch less than a mile from where I was sitting!
I ran to the library the next day and checked it out. I took it home, popped it into the VCR, and sat back to watch. Immediately the memories started pouring back. It wasn't a mass hallucination, the Happy Pancacke Witch was real!


Based upon th children's book Old Black Witch by Wende and Harry Devlin, it tells the story of a mother and her son who move into a house that they got very cheap. They soon discover that the house is haunted by a 300-year-old witch who is depressed because since the modern world is such a scary place no one needs witches anymore. The mom agrees to let the witch stay and live in the attic. Eventually the witch finds a way to stay busy, whipping up batches of pancakes containing a potion that makes you happy. The mom opens a restaurant and people come from miles to eat these happy pancakes. Finally the witch reveals her plan: to make everyone in the world happy enough that it's once again possible for them to be scared of witches.
Today the "Winter of the Witch" is not so hard to find online. It has a full entry at the Internet Movie Database and a homemade DVD is available. But nearly everwhere you go online you find the same things posted in the user comments: people around my age who have been haunted their entire lives by vague memories of a pancake-making witch and her "happy dots", all expressing joy and relief at finally identifying what it was they were remembering.























I spotted this Chinese food delivery service magnet stuck to a vending machine last night...

Or at least that's what she might as well be saying as she flagrantly mocks the struggles of amputees in her latest film, "I Know Who Killed Me."

Then, after mere minutes of demonstration (evident by the lack of a montage that would normally appear at this point, not to mention that the entire movie seems to take place over a 3-week period), Lohan completely masters the use of her new limbs. Just a few days after losing an arm and a leg, Lohan is now walking normally and able to grasp objects with ease. Other people such as Cameron who spend months in physical therapy learning to use their new limbs are chumps by comparison.
And while dorks like Cameron have to have special legs designed for different purposes -- one set for stairs and one set for running, for example -- and spend weeks to months mastering the use of each set, Lohan's all-purpose leg has her running, using stairs, crouching, climbing, and slinking about without any practice whatsoever! All she has to worry about is remembering to recharge her leg, but even that is quickly remedied because the charge running out only seems to create a few seconds of inconvenience while crossing the street before full functionality "miraculously" returns.
Surprisingly, this was not the worst movie I've seen in the 2007 Bad Movie Night season, but it's definitely in the Top 5.